Making a Yardlong Frame

Several weeks ago, I bought a yardlong picture at an antique shop. Finding a frame to fit the picture is next to impossible, so I knew I had to make one.

I looked around for some wood and found a piece of ash from a project I made a few years ago. Ash is not the ideal wood to use with molding planes as it has a lot of moving grain. Preferably poplar or mahagony would be the ideal wood, but ash is what I have.

I ran my complex molding plane over the board and slowly cut the profile in the wood. It took about 20-30 minutes for me to cut the profile.

I then took the board over to the table saw and ripped the molding 1″ wide.

I didn’t want the sides of the frame to be flat, so I carefully gouged out the middle, starting with carving gouge, then switched over to my No 6 hollow plane. Then I finished up with a piece of sand paper wrapped around a 1/2″ dowel.

I cut the rabbets for the frames on the table saw. I made three moldings that were longer than what I needed. I wasn’t concerned about the ends of the molding because I was going to cut them away anyway.

Using my Stanley No 150 Miter Box and my miter trimmer, I cut the piece out.

The molding pieces are now looking like a frame.

After I cut all the pieces, I dried fitted them together to see how the corners met. If they needed attention, I would carve and sand the ends to meet each other.

The final frame looks pretty good. Now it’s up to my wife, Anita, if she wants to stain or paint it.

This is the first time this year where I have had time to work in the shop, and it felt great. My job keeps me busy during the week, and the weekends are often antique hunting with Anita. I’m glad I had the time yesterday.

I’m not sure which branch of the military these men served or when the picture was taken, as there is no stamp on the picture, but they may have served in WWI as many of the yardlongs I’ve seen are early 20th century. All I know is that these men fought and may have died for our country, so they need to be honored by being put into a frame and hung on someone’s wall.

Happy Easter!

Old Stanley Level

A couple of weeks ago, my wife and I were antique hunting in Dayton, Ohio, where I ran into this old level in the back of a barn. I figured it was a Stanley Rule and Level Co level, but the amount of brass in the front intrigued me as it wasn’t the usual design I see all the time.

I really don’t restore levels too often, but I decided to ask how much it was as I thought it would be a fun little restoration project. After the lady told me $10.00, I took it home.

Restoring it was pretty straightforward. I applied some citrus based paint stripper on it to remove the old grime, then washed it off with a soapy dish liquid. Then I applied elbow grease to buff out brass with steel wool and liquid brass cleaner. Then, coated the level with a few coats of shellac.

You can see on the side that it’s faintly stamped 11, which I figured makes it a Stanley No 11. Stanley made No 11’s in mahagony and rosewood. When I was cleaning the wood, I got excited thinking the level was made from rosewood, but I’m pretty sure it’s mahagony. The fact that the brass is only the corners and not completely covering the end makes it an older level.

You can see the Stanley Rule & Level Co. so it’s possible it’s before they acquired their plane line.

I’m not sure how to date the level as I am unaware of a type study on Stanley Levels, but if I had to take a guess, I’d say it’s around 1860-80’s in age. And it’s in pretty nice shape for being as old as it is.

Does anyone know how old it is? Drop a comment and let me know.

Langdon Millers Falls No 40 Mitre Box

Last weekend, my wife and I were antiquing in Dayton, Ohio, when we stopped in an antique store in Tipp City. I went into the back of the store when I saw this thing sitting on the shelf. I immediately knew exactly what it was as I owned one of these tools many years ago. It’s a No 40 Langdon Millers Falls Portable Mitre Box.

When I was a kid, I went to an Ohio Tool Collector Association meet-up and saw one of these miter boxes on a silent auction table. I thought it was cool as it was something I had never seen before. I put a silent auction bid of $20.00 and hoped for the best. Sure enough, I won the auction! The guy selling it wasn’t too happy about the price it received as he said that’s what he paid for it.

The tool is simple in its concept. There’s a fence that you clamp to a board and disc that you turn and set your angle with positive stops. You can even adjust the accuracy of the angle by adjusting the two screws on either side of the positive stop.

I wanted to try it out, so I grabbed a piece of scrap wood and clamped the miter gauge to it, then swung the fence to 45 degrees.

Since it’s made to be portable, the craftsman would just use a panel saw and cut the board while on the job site. The miter box is small enough that it would easily fit in a toolbox.

After I took a cut, I was surprised how accurate it was. That’s a pretty good 45 for trim carpentry work on a house.

Millers Falls made a compound angle version of this tool called the No 41, but I have never seen one in the wild.

I paid $15 for this miter box, which is cheaper than what I paid for the first one 35 years ago. People don’t know what these things are, so if you find one in the wild, chances are you’ll pick it up for a good price. I sold my first one years ago when I was unemployed and needed money. I really didn’t want to sell it back then as I thought I would never find another. Maybe the antique tool gods like me. 

Making a Brass Fence

I’ve owned this Ohio Tool Co Moving Fillister Plane for a while now. It was missing its fence and screw when I bought it, so I decided it was time to make a new one for it.

I started by cutting a blank from some brass stock I bought on eBay. The blank I cut out was 3/8″ x 2″ x 3″.

Luckily, I have another fence off another moving fillister plane I could use as a template. While the dimensions weren’t the same, I custom drew what the fence should look like on the brass stock.

After I cut out the shape on the band saw, I punched a spot where my 3/8″ drill bit will drill a hole for the center on the fence. Then I kept moving down the fence drilling holes in the center.

I needed to remove some of the back of the fence, so I went back to the band saw to do the job.

Then, I cut off some of the face of the fence to thin it up and shaped the bottom of it with my files.

In the end, I was happy with my results. Not too shabby, as this was the first thing I have ever fabricated out of brass.

Now I needed to make the screw to hold it in place. Again, I had a screw from another plane that I could use to find something similar at the hardware store. I ended up buying a 5/16″ x 1″ screw from Home Depot, but I had to grind it round on my belt sander. 

I then filed the top to a dome shape and used a hacksaw to file a slot in the top.

I polished the screw up, cleaned the body of the plane, and put everything together. The plane came out really nice and performs well after I sharpened the blade.

Another plane has been saved from the garbage bin of life and is back to use for the next hundred years. 

Saw Sharpening

A couple of weeks ago, I bought Set & File by Matt Cianci from The Lost Art Press. I waited about a year for the book to be published as sharpening has never been a strong suit of mine when it comes to saw restoration.

I’ve owned a Lie Nielsen dovetail saw for years and recently restored a Spears and Jackson dovetail saw. While I could sharpen the teeth fine, setting them properly was a pain as the anvil in my saw set was too big to do the job.

I read in Matt’s book where he dismantled his Stanley No 42X saw set and filed the anvil thinner in order to properly set the teeth on fine tooth saws.

Sure enough, I followed his advice and clamped the anvil in my vise, and carefully filed both sides of the anvil in order for it to look like the one in his book.

Putting the saw set back together, the anvil looked like it would now do the job.

After a few minutes of sharpening and setting the teeth, the saw sat in its kerf nice and tight. Plus, it cut like butter.

Now, I have two dovetail saws that are ready for use. It’s amazing how simple tricks can help your woodworking skills. Major props to Matt Cianci!

Cool Little Workbench

My wife, Anita, and I were antiquing in Madison, IN, yesterday when I stumbled upon this little workbench. 

It was cute little Sloyd style workbench from the 1800s. I couldn’t believe how small it was, so I imagine it had to be built for a little kid.

It had to be about 3′ 6″ tall by 5′ long. What was so amazing about the bench was how well worn out and used it was. The child that worked on this bench used it a lot as the top is full of tool marks.

Obviously, it could have been for multiple children in a school shop class, but I never had a bench like this in elementary school, let alone a shop class.  Can you imagine being the kid lucky enough to work on this bench?

No, I didn’t buy the bench as I couldn’t afford the $350.00 price tag as I’m too cheap. Plus, I didn’t want to drag it home because I had no place to put it. But it’s definitely the coolest old workbench I’ve ever seen.

My 15 Year Old Workbench

This year, my Roubo workbench turns fifteen years old. All I can say is that it’s one of the best things I’ve ever built as it has held up a lot better than I thought it would. It’s pretty beat up with a bunch of tool marks and stains, but it looks like every antique workbench I have ever seen in the wild, so I must be doing something right.

The bench is designed based off two Roubo workbenches, one from Roy Underhill in his book Working Wood with Wedge and Edge and Christopher Schwarz’s book Workbenches. Made from 2x material and 6×6 pressure treated wood for the legs, the bench is incredibly beefy and does not wrack when I’m planing or doing any other task on it.

The leg vise is still strong and tight, and the crochet at the end has never let the wood slip when I jammed my board into it.

Amazingly, the top is still level even after all these years. I did have to flatten the top a year or so after I first made it, but the wood is now stable and is done drying out.

The king of the bench is my Emmert Patternmakers Vise. It’s by far the best antique tool I’ve ever bought as it is extremely versatile, holding wood at various angles. I can even swivel the jaws 90 degree to raise my work pieces height higher so I can cut dovetails easier without having to bend over.

I restore a lot of tools and do a lot of sharpening, so the top is constantly dirty. I occasionally will break out my random orbital sander or even plane and remove all the gunk when I’m sick of looking at it. The downside to all the dirt and grease on top is that if I don’t lay down a protective sheet on top of the bench, the workpiece will get dirt marks on it. (which brings me to grab my sander and clean the top).

The drawer I built to go under the top is full of miscellaneous tools that I use, like pencils, hold fasts, bench cookies, etc. It’s also full of sawdust that falls through the holes on top.

I’m getting old (50), so more light is always a plus. Last year, I bought an old desk lamp at the thrift store for $8.00 and use it so I can see what I’m doing.

My fancy sliding double dovetail is still holding strong. It’s not pretty enough with my sloppy joinery and wood shrinkage to be featured in a magazine, but it has never let me down.

The bench can be disassembled so I can move it out of my shop when I eventually move someday. If I take off the Patternmakers vise, I’m hoping the top can be moved upstairs without too much trouble, but I’ll cross that bridge when I come to it.

American Windsor Chairs

Several months ago, I was reading a post on the Lost Art Press, and someone asked Chris Schwarz which book on Windsor chairs he thought was the best. Chris mentioned American Windsor Chairs and said it’s worth getting if you can find it cheap enough. Curious, I checked Amazon and saw one was for sale for $300. Then I checked eBay and saw one seller was asking $40 plus shipping, so I jumped on it.

Written by Nancy Goyne Evans, the book is over 700 pages with 1000 illustrations of chairs of various makers. The book starts with the classic European design and how the chairs evolved in America with first handcrafted chairs to mass-produced units in the 1850s. The book is categorized by geographic region and describes the differences in Windsor chairs in different regions of the country. It’s extremely detailed with stories about some of the makers and their business practices. If you have a passion for Windsor chairs and their designs, then this a must-have book you need to own.

In the back of the book, there are reference pages where it lists the chair makers and the time of their business. Simply look up their name and determine where and when the chair was made. It’s an excellent reference book you’ll enjoy owning if you’re lucky enough to find one at a reasonable price.

If you own a Windsor chair and would like to know when it was made, drop me a comment, and I’ll look it up and see if I can find more information for you.

Restored Dry Sink

I haven’t been spending too much time in the shop the past few months since I’ve been working on the shed during the summer and fall, but I did have time today to work on an antique dry sink my wife bought at a local sale.

The cabinet was in good condition, but the top was off as the hinges had broken. I noticed that they were too small for the top, so I grabbed some larger hinges I had around to replace the small, broken ones.

After removing the old broken hinges, I made a jig to route a perfect sized recess in the cabinet and top to accept the new hinges. I found this jig while reading Michael Pekovich’s book “Foundations of Woodworking”. The idea of the jig is to make a cutout in a piece of wood the exact length and depth of the hinge, then use a small flush cut patternmakers bit to route out a recess that’s the perfect size of the hinge.

After making the jig and routing a few test pieces to make sure it worked, I placed it over the cabinet back and the lid to route out the recess for the new larger size hinges.

After a few minutes, the hinges fit, and I shaved down the top of the cabinet for the lid to fit flush. This was a quick and easy project that will make this dry sink serve another 100 years. Plus, I’m finally back in the shop after a few months’ absence.

My Next Shed

Three years after my original shed was destroyed in a tornado, I finally decided it was time to rebuild a new one. I designed a new shed that would only be 7’x 10′ on the original 10′ x 14′ deck platform where the original stood. My wife and I wanted to have a little deck to step onto instead of stepping directly from the grass.

The new shed will have nine windows and two french doors in the front. I built the roof trusses in the opposite direction from the original one with stronger bracing for the wild winds we get.

With the framing done, I worked on the roof and sheathing. I had to build platforms made from 2×12’s on three sides of shed in order to work safely.

After the roof shingles and soffit were installed, I put 1/2″ sheathing around the shed. This shed is much stronger than the first one as that had just carsiding nailed onto the 2×4 framing.

I spent some time working on the doors and windows. We bought wooden windows at Menards, and I built frames around them in order to function. Four large windows are fixed while the other five swing open.

I wrapped the shed with 8″ wide shiplap and ran it vertical. Then, I spent time installing the doors, windows, and trim. Next, we need to paint the shed, but we may have to wait until spring until it gets warm again. In the meantime, I’ll work on the inside of the shed. It’s taken me three months to get this far working on it during the weekends, and I still have a bunch more to do.